My latest post over at Gadling is about this serene temple in the mountains of Seoul.
"The rise of electronic music in America is great because all these hundreds of thousands of kids going to festivals in Vegas and New York— wearing furry boots, living the rave dream— are binge-drinking music. They don’t care about quality— it’s about the epic build and formulaic comedown. But five years from now, they’re going to stop that, and there’s a good chance that 20% of them will stick around and start finding avenues towards Aphex Twin, Kraftwerk and Basic Channel. That’s going to be an influx of people who are going to make this music last longer and be relevant."